International Italianpatrons of the Arts of the Vatican Museum
> OUR PROJECTS
The Italian & International Patrons of the Arts in the Vatican Museums group is an clan which supports the restoration and conservation of the vast, unique and priceless art collection contained in the Vatican museums, with a special mission to make this creative historical and spiritual legacy accessible to everyone .
Over the years, the Italian & International Patrons take contributed to important Restoration & Fine art Access projects carried out in the Vatican Museums. Below an overview of these:
RESTORATION OF ETRUSCAN Aureate FIBULA AND RING
March 2022
These aureate jewels are part of a magnificent set that includes personal ornaments and pottery made of precious materials. They accompanied the main burial, which related to a adult female of rank, and astonished those who entered and discovered this awe-inspiring tomb in April 1836. These discoveries constituted one of the most important testimonies of the Etruscan Orientalizing period. It consists of a fibula and a ring busy with granulation, geometric and schematic motifs, such as meanders and the solar disk.
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RESTORATION OF RAPHAEL TAPESTRY OF ANANIA WITH 2 SIDE TAPESTRIES OF CLEMENT VI
Jan 2022
The last Raphael tapestry in the Vatican Museums that needs restoration is the Expiry of Anania. Information technology arrived in Rome before the terminate of 1521. In December of the same year, this precious and valuable work was pawned, with the others from the same series, to a German banker named John Welser to pay off the large debts that Pope Leo X accumulated during his pontificate. The tapestry depicts the passage of the Acts of the Apostles that narrates the decease of Anania.
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RESTORATION OF THE APOLLO DEL Belvedere
June 2021
The Patrons of the Arts in the Vatican Museums have been selected for the 2021 Bank of America Fine art Conservation Project grant to help finance the restoration of the Apollo del Belvedere, one of the about admired among the ancient statues of Rome.
The Depository financial institution of America Art Conservation Project provides grants to museums to conserve historically or culturally significant works of art that are in danger of degeneration, including works that take been designated as national treasures.
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ANIMA MUNDI ETHNOLOGICAL MUSEUM
January 2021
Anima Mundi is the Ethnological section of the Vatican Museums. The 80,000 objects in the collection brandish a selection of works representing the creative, cultural, and spiritual traditions and testimonies of non-European peoples. To name a few of the many works, the collection includes totems, shields, feather headdresses, and painted eyes peeking out behind wooden masks. These objects and the cultures that they represent are the real protagonists of the Ethnological section. The mission of this museum is to feature the diversity of beauty, preserve it from the threats of extinction, and share with all a world of inclusion, creativity, and heritage.
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SAINT MARGARET OF ANTIOCH AND STORIES OF HER LIFE
October 2020
Painted on a large vertical ogival panel which recalls the shape of a tabernacle, and framed by a Gothic arch, a young Saint Margaret of Antioch, also known past the proper noun of Saint Marina, stands similar a column statue, proud and magnificent. Draped in a precious cloak of green damask embroidered with a motif of golden palmettes, a diadem placed on her gold pilus, in ane hand she holds a slim Crucifix, while with the other she welcomes the figure on her right, the kneeling donor, who is smaller in scale. At her feet lies the conquered dragon, symbolising evil and related to an episode from her life. Co-ordinate to the hagiographers, the dragon devoured the saint who saved herself by slashing its abdomen open with her Crucifix. The tradition of this extraordinary event gave Margaret the ability to grant wishes to those who invoke her.
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RESTORATION OF THE BRAMANTE COURTYARD
May 2019
At the request of Pope Julius Ii, Architect Donato Bramante began his slap-up projection in 1504 to construct a theatrical infinite with a dramatic façade and staircase upon the available terrain inside the villa on Vatican Hill. His design was intended to integrate nature, provide access to the most honey antique statues, and offer a serene walk throughout the rest of the palace. Over fourth dimension, modifications altered Bramante's original design, such every bit when the medieval palace adjacent to St. Peter'south needed to connect to the Villa Belvedere atop the hill.
Today, the Courtyard'south four façades are yet among those that have remained quintessential in defining renaissance compages, and are at terminal existence restored co-ordinate to techniques used at the fourth dimension of their conception and structure. The most distinctive section the Courtyard, the Wall of the Nicchione, is part of the northern façade of the Bramante Courtyard. Its structure commenced nether the building direction of Pirro Ligorio at the request of Pope Pius IV (Medici 1560-65), and received its large hemispherical niche during the papacy of Cloudless IX (Albani, 1700-1721). It is here where the large, 4-meter high bronze Pinecone, originally located in the Campus Martiusand later on in the atrium of the quondam St. Peter's Basilica, stately resides in its niche, providing the alternative namesake, The Pinecone Courtyard.
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RESTORATION OF Aureate NECKLACES FROM THE REGOLINI-GALASSI Earthworks
March 2019
In the Necropolis of Sorbo in Caere (today the town Cerveteri), Fr. Alessandro Regolini and Full general Vincenzo Galassi discovered in 1836 i of the richest and most representative Etruscan tombs dating from 675 to 650 B.C. The artifacts constitute are now exhibited in Hall Ii of the Gregorian Etruscan Museum, in the Vatican Museums.
The drove is one of the most complete testimonies to the "Orientalizing" phase in ancient history, a cultural phenomenon that involved Etruria and the entire Mediterranean basin in an extended circulation of goods and knowledge from the East cheers to the action of the Phoenicians and Greeks.
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PREVIATI'S CLAIRE DE LUNE RESTORATION
Feb 2019
The painting Clair de Lune, completed in 1909, is the nigh recognized epitome of the Notturno painting series made past Previati. The series features three other panels depicting Wind, Trip the light fantastic toe, and Harmony.
Inspired past Beethoven's Sonate au Clair de Lune, the iv panels were conceived for the Milanese villa of Alberto Grubicy, a patron of the artist. The paintings were to be placed in the music room setup for Grubicy's daughter, who studied piano. In 1920 the cycle, including some other version of the Nocturne, was donated by Grubicy to his friend D'Annunzio, who then placed the work in the Vittoriale degli Italiani at the Gardone Riviera.
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MULTISENSORY HILDEGARDA GARDEN IN THE PAPAL GARDENS OF CASTEL GANDOLFO
January 2019
The Hildegarda flowerbed is existence adult in society to offering a multi-sensorial tour of the Papal Gardens to visually impaired, blind, deaf blind, deafened, mentally disabled visitors so that they may be able to experience benefit from a place so unique and and so rich in spirituality. The project also provides the opportunity to clarify and identify the area not only through a botanical or historical bespeak of view, but also through the representtion of the about interesting and characteristic species of vegetation in the Pontifical Gardens.
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RESTORATION OF AN ANCIENT ROMAN SARCOPHAGUS WITH MARINE PROCESSION
August 2018
This sarcophagus dates back to the 2d century and its frontal function is adorned with a group of marine gods and subjects. In the centre, Poseidon, the absolute sovereign of the oceans, emerges from the ocean'due south wild waves with his chariot, dominating the scene. On his side Tristons, Nereids and "pistrici" (in Greek mythology the pistrici were mosters. The lower part of their bodies resempled a snake). On the extreme left, Poseidon's wife appears, Amphitrite – recognizable from the veil on her head and from the typical hand gesture. Numerous exuberant Erotes are depicted while flying through the body of water foam, talking with the Nereids or playing with the dolphins; animative almost the entire scene that is occupied past an embossed ornamentation.
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RESTORATION OF xviii GOLD Glass ARTIFACTS FROM THE VATICAN MUSEUMS' Aureate Drinking glass Drove
April 2018
Thanks to one of our most agile and generous member, Olessia Kantor, our Chapter had the the opportunity to help restore
Eighteen aureate glass artifacts from the golden drinking glass drove of the Vatican Museums. The golden glass collection of the Vatican Museums is amid the nigh remarkable worldwide; and these pieces belong to the most precious glass productions of the late ancient ages. A refined technique allowed the creation of glass pottery, mostly plates and bowls, which were busy with representations made in gold leafage that were ready into ii layers of glass.
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VATICAN MUSEUMS INNOVATIVE AND DIDACTIC ACTIVITY FOR BOTH Deafened AND HEARING CHILDREN
January 2018
The Vatican Museums, in collaboration with the Istituto Statale Sordi di Roma and "Italia Creativa" Association, designed an innovative and inclusive educational activeness, which tin can be simultaneously experienced by both deaf and hearing children. The visits will be organized in unlike Vatican Museum areas using special installations, B-Sense platforms, capable of converting music and sound into vibrations, offer all participants both the hearing and deaf, the opportunity to listen and feel melodies through the torso.
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Drib OF WATER: CIRCLE OF LIFE BY KENGIRO AZUMA
Jan 2017
This artwork was created by Kengiro Azuma in 2011, on the occasion of the exhibition dedicated to the 60th year of priesthood of Pope Benedict Xvi. As he was invited to participate to this very important effect, the creative person decided to pay homage to the Pope past creating this masterpiece. Goccia d'acqua, Ciclo della Vita (Driblet of H2o the circle of Life) embodies all the special characteristics that brand this creative person'due south production then yard. Moreover, the artwork is marked past meticulous poetic attention to the material and by a symbolic rendering of the subject portrayed.
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STUDENTS LEARN WHY It IS Of import FOR THE Bullheaded TO SEE ART IN THE VATICAN MUSEUMS
December 2016
article by Amy Gallant Sullivan, Dr. David A. Sullivan - essays by Patrick Harris & Angelina Kemmett - translations by Ludovica Mazzitelli
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Thinking dorsum to your formative years, exercise y'all recall one moment that shaped you and your perspective, a turning point, which was the goad of your growth from child to adult? How would you inspire and motivate young people to reach beyond themselves for knowledge and experience?
"I am truly blessed to go to Matignon Loftier School, where such an 'experience' is possible." So said Angelina Kemmett, a sophomore at Matignon High School, who with Junior Patrick Harris, recently had a individual guided tour through the Vatican Museums with a special focus on the multi-sensory showroom for the visually impaired. Both students won an essay competition at Matignon, an independent and co-educational Cosmic High School, in Cambridge, Massachusetts, addressing the question, "Why is it of import for the visually impaired to "see" the art in the Vatican Museums?" Eight judges from around the world selected the two winners, with the award a trip with two chaperones to the Vatican Museums.
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TOUCHING ART INTERACTIVE EDUCATIONAL DISPLAYS IN THE VATICAN MUSEUMS
March 2016
As the Italian & International Patrons promote projects that focus on making art accessible to all, particularly those with disabilities who otherwise would not be able to participate, we have pledged to back up the Touching Art Interactive Educational Displays in the Vatican Museums.
To permit anybody to feel the collection in the Pio Christian Museum, even the bullheaded and visually dumb, the curators have designed a special tactile display that provides resin casts of five chosen works, accompanied by an explanation. Note that the Pio Christian Museum houses the near important drove of Early on Christian sculpture in the world.
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AN EYE ON THE VATICAN MUSEUMS: SEEING THE MIRACLE OF ART
March 2016
One of our International Patrons, Dr. David A. Sullivan, of Harvard Medical Schoolhouse and Schepens Eye Enquiry Found, who has been a Patron since our inception, recently proposed a wonderful thought that will assist grow our Chapter and develop relationships with Catholic Universities and Schools.
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PINOCCHIO!
February 2016 - Vatican Museums' Contemporary Section
We cannot tell a prevarication, nosotros were overjoyed past the thought of restoring Pinocchio!
Venturi's Pinocchio arrived in the Vatican Drove in 2004, as a souvenir from the artist's granddaughter, Lucy Fiaschi. The entire surface of the work was covered in grit. Some areas were damaged and altered past grit and oxidation. The restoration process included a complete makeover and cleaning with scientific research, dust suction, micro-dust suction and the reparation of cracks.
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Laser FOR CLEANING WORKS OF Art
January 2016
Thanks to the support from one of our gracious Patrons, Olessia Kantor, along with the California Chapter, we subsidized the purchase of an Eos Syntesis laser. The Eos Syntesis is the first light amplification by stimulated emission of radiation system set for light amplification by stimulated emission of radiation cleaning that allows restorers to tune the pulse duration past nanoseconds to hundredths of a nanosecond to microseconds.
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MICHELANGELO'S MADONNA DI BRUGES FOR THE VISUALLY IMPAIRED UNVEILED IN THE VATICAN MUSUEMS
June 2015 - Vatican Museums' Pinacoteca
On Sabbatum, xiii June 2015, the Italian and International Patrons of the Arts joined together for a special soirée in the Vatican Museums for the inauguration and unveiling of Michelangelo'south Madonna di Bruges in the Pinacoteca. Michelangelo's Madonna di Bruges, created and formed from the original casts of Casa Caravaggio, was dedicated to the tour for the visually impaired in the Vatican Museums. A poignant and unique experience, all Museum visitors volition now exist able to bear upon this masterpiece created by the genius of Michelangelo and recognize the face of the Virgin Mary and her child Jesus.
Guests from Italy and around the world, including the United States, France, Monaco, Republic of finland, Poland, Algeria, Turkey, Switzerland, Australia and Denmark witnessed a splendid occasion embraced by the voices of angels and the miracle of art.
This extraordinary and memorable evening, organized by the Italian and International Patrons Leaders, Sabrina Zappia and Amy Gallant Sullivan, was opened by the Eminent Key Lajolo with the unveiling of the Madonna di Bruges. Father Mark Haydu, International Managing director of the Patrons of the Arts in the Vatican Musuems introduced and thanked the Fonderia Marinelli in Florence, together with Ronald and Susan Welborn, Patrons from Texas, who donated this exquisite and historically important sculpture.
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MANUSCRIPTS
March 2015 - Vatican Musuems
A generous Patron supported the restoration of a drove of manuscripts, including a volume recounting the trip of the English ambassador Lord Macartney who, appointed by King George III, traveled to the Chinese imperial court of Emperor Qian Long also as countries of the tartars.
This is the beginning Italian translation published in Venice and is followed by a second edition in Florence. The document cloth was comprised of the memories of Lord Maccauley and of Sir Erasmus Gower, who were placed at the head of the expedition. The illustrations were completed by Sir Joseph Banks, President of the Majestic Society.
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PIETRO MELANDRI'S MODELS OF THE VATICAN MUSEUMS Archway
Jan 2015 - Vatican Museums
Pietro Melandri was a famous Italian painter, decorator, designer and ceramist, student of the School of Arts and Crafts of Faenza. In 1921 his ceramics were displayed at the Biennale in Rome and lately, in 1925, at the L'Expo des Arts Decoratives in Paris. In the 1930s he likewise collaborated with the papal architect and engineer Giovanni Momo for the structural renovation of the Vatican Museum. Melandri continued to work until his decease in Faenza in 1976.
These two plasters models, created by PietroMelandri, represent the Main Entrance of the Vatican Museums, whichwas renovated past the papal builder and engineer Giuseppe Momo by volition of Pope Pius Eleven at the beginningof 1930s. At nowadays, these are in poor condition, due to the dust that has accumulated on the surface. Many fractures and ...
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MULTISENSORY ITINERARY IN THE VATICAN GARDENS
May 2014 - Vatican Gardens
WHO IS Information technology FOR?
Visually impaired, bullheaded, deaf blind, deaf, mentally disabled and visually impaired visitors interested in experiencing such a multi-sensorial journey. People with physical disabilities tin can too access the flowerbed of Hildegard.
INTRODUCTION
The idea of a multisensory guided tour of the Vatican Gardens arises from the demand to reply to a repeatedly expressed desire from blind, visually impaired and deaf-blind individuals asking to do good from a place so unique and so rich in spirituality.
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VATICAN MUSEUM MASTERPIECES SPEAK TO THE HEARING Dumb
Art with a Different Tune
June 2013 - Vatican Museums
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VATICAN MUSEUM MASTERPIECES UNVEILED FOR THE Bullheaded
The Dazzler of Art for those who see differently
June 2012 - Vatican Museums
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Italian & International Patrons of the Arts in the Vatican Museums
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Via Francesco Cherubini 4 00135 Roma
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Source: https://www.vaticanpatrons.it/projects-italian-international-patrons-of-the-arts.htm
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